Tuesday, July 22, 2008

Panasonic Lumix DMC-FX150

A Premium Stylish14.7-Megapixel High Resolution Digital Camera with 28mm Wide-Angle* F2.8 LEICA DC Lens Featuring Simple Manual Operation

* 35mm film camera equivalent: 24-60mm

Panasonic is introducing a 14.7-megapixel model to its Lumix FX Premium range of digital cameras, both stylish and compact this camera also boasts high-end specifications. The astonishing 14.7-megapixel resolution means that the DMC-FX150 meets the needs of a wide range of consumers looking for an attractive compact camera that makes it easy to take clear, sharp photos with outstanding detail.

Equipped with a 28mm wide-angle lens, the* FX150 lets users capture images of expansive scenery just as they appear to the naked eye. The wide-angle lens allows the user to capture a much wider scene into one shot – something not possible with most ordinary cameras. And when shooting in tight or crowded indoor spaces, the wide-angle lens fits more people in the photo. The 14.7 megapixels – the most offered in a compact camera – ensure that photos are crisp, clear and sharply detailed even when enlarged. This high resolution also means you can crop unwanted parts of an image and enlarge the rest, creating a beautifully composed photo that retains outstanding detail.

One key aspect of the FX150 is Panasonic's high-speed, high-performance, next-generation image processing system. The Venus Engine IV not only helps render exquisitely beautiful images in burst mode or when shooting in low light, it's also more energy-efficient than any predecessor models, allowing 330 pictures (CIPA) per battery charge.

The FX150 offers easy manual control, letting users adjust the shutter speed as desired. The bracketing function includes the exposure bracketing available on previous models plus a new colour bracketing function that can record colour, monochromatic and sepia shots of an image at the same time with a single press of the shutter button. The FX150 also introduces a new multi-exposure function that creates an interesting artistic effect by superimposing up to three consecutively shot images, while the user views the previous image on the monitor. Also in the FX150, the white balance function has been improved from conventional one-axis compensation to two-axis compensation with a colour temperature setting that allows more precise adjustment. For the AF, FX150 allows user to set focus freely among 11 focus points.

Panasonic’s iA (intelligent auto) mode, which makes it easy for anyone to take beautiful photos, has been further enhanced on the new Lumix range. The newly added AF tracking function automatically tracks the subject once the AF has been set, even if the subject moves around. This makes it easier to capture sharp, well-focused images of decisive moments. The FX150 continually monitors the light source and automatically activates the backlight compensation function if it detects that the light source is behind the subject. Face detection accuracy has also been increased, allowing continuous AF/AE adjustment even if a face moves or turns sideways to the camera. The Intelligent Exposure function helps capture natural-looking, true-to-life images by suppressing blocked shadows and blown highlights.

The FX150 features a new panel, which boasts a wide viewing angle, for its 2.7-inch large Intelligent LCD to ensure clear, easy viewing in all lighting situations.

The FX150 records original picture data in RAW file format enabling the user to develop the image with the intended effects on it. With this extensive package of features and functions, the FX150 goes beyond the bounds of conventional compact cameras, giving users the power and freedom to both capture extremely life like photos and to create artistically expressive images.

The FX150 is recommended for people who want a well-built, stylish, compact digital camera that's more advanced in performance and operability than ordinary models. Available in silver or black **, the FX150 has a refined, understated sophistication that will appeal to adults.

*35mm film camera equivalent: 28-100mm
**Availability of models and colous may vary depending on the sales area.

1. 28mm Wide-Angle Leica DC Lens* with F2.8 Brightness and 14.7-Megapixel High Resolution CCD in a Small, Sleek Body

The DMC-FX150 packages a 28mm wide-angle LEICA DC VARIO-ELMARIT lens featuring F2.8 brightness and a 3.6x optical zoom* plus a 14.7-megapixel CCD into a slim, stylish and compact camera. The lens unit, which comprises seven elements in six groups, including an EA (extra-high refractive index aspherical) lens and 4 aspherical lenses with 5 aspherical surfaces, is designed and manufactured to Leica's stringent standards. Its optical performance is exceptional. In addition to the 3.6x optical zoom, the FX150 offers an extra optical zoom function. Further, in 3-megapixel resolution mode, the extra optical zoom function provides additional magnification, extending the zoom power to 7.7x by using the center part of the CCD.

The FX150 also has an easy zoom feature that, at the touch of a button, shifts the lens instantly to full 3.6x zoom power. A second touch of the button activates the extra optical zoom function and extends zoom all the way to 7.7x.**

*35mm film camera equivalent: 28-100mm
**When the picture size is set to 3 megapixels or larger, the photo is automatically resized to 3 megapixels. When the lens is shifted back to the wide-end, the picture size is set to the original size automatically. The original size is maintained for photos smaller than 3 megapixels.

2. Simple Manual Controls and Versatile Functions for Creative Shooting

The Lumix FX range packs a high-quality wide-angle lens and high-resolution performance in a compact, stylish body. The new DMC-FX150 provides easy-to-use manual controls and a wealth of features that lets users explore the creative side of photography. The FX150 is designed not only for people who want to take great photos, ,but also for those who want to express themselves artistically through the images they create. The FX150's easy-to-use Manual Exposure mode lets users choose a particular shutter speed, giving them the freedom to render artistic images of ordinary scenes. For example flowing streams, moving cars and people walking past, by capturing the “traces” left by moving objects. Simply set the desired shutter speed, and the camera will automatically determine the aperture setting that provides the best exposure, alternatively you can set it manually. When the FX150 is mounted on a tripod and the angle of view is fixed, the user can select a point to focus on among 11 areas. They also make it possible to achieve precise focusing no matter where the main subject is positioned within the frame, giving the user greater flexibility when composing the shot. The FX150's bracketing function includes the ordinary exposure bracketing. As well as introducing a new colour bracketing function that captures colour, monochromatic and sepia shots of an image at the same time with a single press of the shutter button. With colour bracketing, users no longer have to use a PC and editing software should they later want to change a colour image to black and white. The FX150 also introduces a multi-exposure function that superimposes up to three consecutively shot images together, while the user views the previous image on the monitor. This creates an unusual, surrealistic effect that cannot be achieved with a single image alone. The white balance function has been improved from conventional one-axis compensation to two-axis compensation, with the addition of a colour temperature setting that allows finer adjustment.

The FX150 records original picture data in RAW file format. The SILKYPIX Developer Studio 3.0SE software application comes bundled with the DMC-FX150 for editing and developing images in the RAW file format. Using this software, you can freely adjust RAW data settings such as exposure bias and white balance even after shooting for greater enjoyment of digital photography.

The Lumix DMC-FX150 goes beyond ordinary compact cameras, giving users the ability not only to capture true-to-life images, but also to create expressive images that satisfy on an artistic level.

3. High-Speed, High-Quality Image-Processing LSI Further Evolves into the Venus Engine IV

A new image-processing LSI, Venus Engine IV, features more advanced signal processing technology for rendering even higher-quality images.

Parallel noise reduction in both luminance signal and chromatic signal processing systems, a technology established by the preceding Venus Engine III, gains a more sophisticated process on the DMC-FX150. First, the luminance noise is two-dimensionally separated into high-frequency and low-frequency noises. Only the low-frequency noise, which tends to be conspicuous, is eliminated without affecting the high-frequency noise that greatly influences resolution. Secondly, the information of the change point between colours is minutely stored for precise determination of edges, thus colour bleeding is dramatically suppressed. This not only produces a clearer image in high ISO sensitivity recording, but also reproduces details in low-lit areas of pictures taken at low ISO sensitivity.

The Venus Engine IV also elevates the detection accuracy and corrective effect in both Mega O.I.S., which prevents hand-shake, and Intelligent ISO Control, which suppresses motion blur.

Featured in the DMC-FX150, the multi-task image-processing engine Venus Engine IV supports an extremely fast response time. The shutter release time lag is as short as approximately 0.005 second and the camera's quick response makes it easier to capture sudden, spur-of-the-moment photo opportunities. In burst shooting mode, the DMC-FX150 can take approximately 2 shots per second at 14.7-megapixel large full resolution.* In High-Speed Burst shooting mode,** it can shoot an incredible 7 shots per second (approximately)**. This also enables unlimited consecutive shooting, which lets you continue shooting until the memory card is full***. Newly added Flash Burst mode makes it possible to take continuous shooting with continuous emission of flash****.

The Venus Engine IV also supports a High Sensitivity mode that lets the DMC-FX150 record at a setting of up to ISO 6400, sensitive enough to capture subjects in near-total darkness without using a flash.**

The Venus Engine IV also makes it possible to capture natural-looking, true-to-life images by suppressing blocked shadows and blown highlights with the Intelligent Exposure function. It now has high, standard and low settings of effect to match the shooting conditions and desired results.

This high performance engine is also superior in its energy efficiency to extend the battery life of up to 330 shots(CIPA) per single charge.

*Max.8 images in standard mode/ 4 images in fine mode.
** In 3-megapixel (4:3), 2.5-megapixel (3:2), 2-megapixel (16:9) recording. 7 images in Speed Priority mode / 5 images in Picture Priority mode.
***The consecutive shooting speed varies with the memory card, image size, and image compression mode. The number of shots depends on the memory card size, battery life, image size and image compression mode.
****Max. 5 images. In 3-megapixel (4:3), 2.5-megapixel (3:2), 2-megapixel (16:9) recording.

4. Great Photography Is Not Only for Professional Photographers Anymore -- Intelligent Auto Mode

While offering a creative fun angle to photography with its manual functions, the DMC-FX150 also has an option to enjoy taking beautiful pictures without any special technique, that is the iA(intelligent auto) mode. Adding a new AF Tracking function, the iA mode serves as a combination of functions that makes it easy for anyone to take beautiful photos. In iA mode the camera does all the work, activating Mega O.I.S. (optical image stabilizer), Intelligent ISO Control, Intelligent Scene Selector, Face Detection, and Intelligent Exposure. This leaves the user free to simply compose the shot and press the shutter button, with the assurance that the image will be clear, beautiful and properly exposed.

With the new AF Tracking function, the user can “lock” the focus onto a moving subject. The camera then automatically tracks the subject as it moves, keeping it in focus without the user having to hold the shutter button halfway down. This makes it easier to capture the perfect moment clearly and in sharp focus when shooting images of a child, pet, sport or any scene with moving subjects and spur-of-the-moment action.

Intelligent Scene Selector, which automatically selects from five Scene modes -- Macro, Portrait, Scenery, Night Portrait, and Night Scenery – that best suits the shooting situation are available in the DMC-FX150

The Face Detection function can find up to 15 faces in the frame and adjusts the focus and exposure to capture them clearly and in sharp focus. Face detection accuracy has been increased in the FX150 to now provide continuous adjustment of the focus and exposure even if the face is turned sideways to the camera. Combined with AF Tracking, Face Detection helps users capture special moments,. Plus, with the FX150, the red-eye effect,due to use of the flash, can be digitally corrected automatically when it occurs.

Intelligent Exposure suppresses blocked shadows and blown highlights to capture images that look natural and true-to-life. It now features an automatic backlight compensation function that activates whenever the camera detects that the light source is behind the subject. This is useful when the effect of Intelligent Exposure is not enough due to the strong backlighting.

The Quick AF system allows the camera to keep focus on the subject whilst the camera is in recording mode. even before without pressing a shutter button halfway, to get best result out of a shutter chance because the focus is always near the subject and the AF time is minimized.

In addition to the advanced functions mentioned above, the iA mode boasts importantl functions users need in a good digital still camera. These include Mega O.I.S., which prevents blurring from hand-shake, and Intelligent ISO Control, which prevents motion blur by adjusting the ISO sensitivity if the subject moves as the shot is taken. The Mega O.I.S. conventionally has mode 1 and 2, and now it has AUTO mode enabling the user to select the suitable mode according to the zoom ratio being used.

The user can activate all of these convenient shooting-assist functions by simply selecting iA mode. This makes the FX150 the ultimate, super-versatile digital camera for capturing clear, beautiful photos with ease.

5. Exciting Options to Expand the Fun of Photography in the High-Definition Era

All Lumix cameras can take 1920x1080 pixel HD (high-definition) quality photos that fit a wide-screen (16:9) HDTV for full-screen viewing. The new DMC-FX150 even records dynamic HD motion pictures in 1280 x 720p at a smooth 24 fps, in addition to WVGA (848 x 480) and normal VGA (640 x 480)* **.

With newly added HD component output capability, you can enjoy watching still and motion pictures in stunning HD quality taken by your DMC-FX150, by simply connecting the camera to a HD ready TV via an optional component cable (DMW-HDC2).

The DMC-FX150 provides slideshows complete with music. Just select the pictures you want to show and choose the mood that best matches your selection from natural, slow, urban or swing. You will get a variety of slide change effects, which match your mood. If you make the slideshow with HD photos in 1920 x 1080 pixels, you can also enjoy watching an impressive HD slideshow with music on a large-screen HDTV by using the optional component cable.

*In Motion Picture mode, the length of recording time depends on the capacity of the SDHC/SD Memory Card. (Up to the equivalent of 2 GB per motion-image recording.) When you set the motion picture quality to HD, WVGA and VGA, we recommend using a high-speed memory card with "10MB/s" or greater on the package. Some lens movement sounds may be recorded.
**For Europe, motion images can be recorded continuously for up to 15 minutes.

6. Wide Viewing Angle 2.7-inch Large Intelligent LCD to Offer Clear View Anytime

A Clear, easy-to-see LCD screen is upgraded both in size and resolution to be 2.7-inch with 230,000-dot high resolution. The Intelligent LCD function detects the light condition and automatically boosts the LCD backlighting by a maximum of 40% when shooting outdoors in bright sunshine. Aswell as this it adjusts the frame rate when shooting in low-lit situations in addition to using the pixel mixed readout method to secure clarity in such situations. Detecting the lighting condition precisely and automatically by controlling the brightness with a total of 11 steps. This function gives the display the most appropriate clarity in any situation without using extra energy. Together with the newly adopted panel which boasts a wide viewing angle, it secures comfortable viewing while both monitoring shots and playing back the results in any circumstances.

7. Other Enhanced Features

The new DMC-FX150 features a variety of functionalities to expand the convenience and fun for users to enjoy taking beautiful pictures.

The FX150 offers a total of 24 scene modes to respond easily to any shooting situation. The new Pin Hole and Film Grain modes add unique, film-camera-like effects and ambiences to images. A new scene mode is the transform mode, which trims and stretches the image to virtually transform the subject slimmer or more stretched wider. It also has a shining effect to make the large transformation look more extreme and humorous. The actual effects of the scene modes can be viewed on the LCD before taking the shot.

Image Leveling is another function that improves post-shooting convenience. When a recorded image “leans” to the right or left because the camera was held at a slight angle, the Image Leveling function rotates the image to straighten it and crops the unnecessary edges*.  

The FX150 also allows users to set an upper limit for the ISO setting, to suit certain shooting conditions.
The 2.0 HS-compatible USB port and approx. 50 MB of internal memory also enhance the convenience of using the FX150.

Drawing on its vast expertise in consumer electronics, Panasonic is committed to creating a new photographic culture by introducing innovative, high-performance cameras and other advanced digital imaging products.

Digital Photography Review

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Click for: Panasonic Lumix DMC-FX150Panasonic has today announced the Lumix DMC-FX 150. The new camera offers a whopping 14.7 megapixels effective resolution which makes it (together with the Samsung NV100HD/TL34HD) the currently highest resolving compact camera on the market. Other features include Panasonic's new Venus IV imaging processor, a 28-100mm (35mm equivalent) zoom lens and not one but two baby modes! The Lumix DMC-FX150 will be available in the UK from August for £299.99. (16:20 GMT)
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Thursday, 17 July 2008
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Wednesday, 16 July 2008
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Wednesday, 9 July 2008
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Tuesday, 8 July 2008
Click for: Canon invests in XS capacityCanon USA has announced the EOS Rebel XS, launched in other markets as the EOS 1000D on June 10th. In the United States, the camera will be available in a choice of black or silver but will not be available as body-only, with all units coming bundled with the EF-S 18-55mm IS lens. Canon has also announced its plans to build its first new Japanese camera factory for over a quarter of a century. (14:45 GMT)
Thursday, 3 July 2008
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Friday, June 20, 2008

Red Eye and Your Digital Camera

You’ve seen the dreaded demon-eye effect that occurs when the camera flash bounces off the eye of a person or pet. An otherwise wonderful picture can be ruined by this. Technically, this is called red-eye and is caused when the pupil of your subject’s eye is wide open and the light from the camera’s flash reflects off the subjects retina. In people, the color ends up red; in pets, the color is often green.



Many photo editing programs include a red-eye correction filter, but this may not allow your photograph subject to appear “normal. These filters also do not work on the green effect produced in a pet’s eyes. Photo stores sell pens that are used to clear up red-eye, but again they are not always natural-looking and do not work on the green. The best thing is to prevent the demon-eye effect from the start.

It is rare to find a digital camera that does not come with a red-eye reduction feature. This feature can be turned off or on. It is best left on in all circumstances other than direct sunlight. The red-eye reduction feature works by flashing a short burst of light at your subject before you snap the picture. This burst of light causes the subject’s pupil to close and makes it less likely for the camera’s flash to reflect off the retina. This in turn reduces the chance of red-eye.

It also helps to direct the flash of your camera so it does not directly hit your subject’s eyes. Bouncing the flash off a nearby wall or other object will soften its effect and reduce the chances of this unwanted malady. Between bouncing the flash and using your digital camera’s red-eye reduction feature, your little angel, whether human or animal, will have eyes that don’t glow.

Five Ways to Make Money Using Your Digital Camera

Have you ever wanted to find a way to bring extra money into your household--yet don’t have a lot of time to spend on a full-time endeavor? The solution is as close as the digital camera sitting there in a drawer. The following suggestions are only a few of the many ways you can make money in your spare time with your camera.

  • Pet photos - Most owners won't struggle to take a photograph with their pet all by themselves. You can be the one who makes it easy on them. Not only can you charge for the service and your time, but you can offer the photograph in it's digital form or as a print that you can mail to them later - either created by your own photo printer or by a photo processing service.
  • Graduations - preschool, high school, or college graduations offer dozens, if not hundreds of opportunities to capture a significant moment in someone's life. If the family members of the graduate aren't located in as good a location or don't have as good a camera as yourself - you'll have even greater opportunity at getting the shots they couldn't.
  • Holiday Family Postcards - offer your services to families that want their picture taken and put on a postcard that they can send to their extended family and friends.
  • Photo Novelty Items - take photographs of people that want the pictures of themselves of their loved ones imprinted on coffee mugs, mouse pads, key chains, tee-shirts, and other items.
  • Newborn photo service - parents of newborns are some of the busiest people in the world. Advertise your services on an on-call basis so that you can take informal snapshots for the growing family either before they leave the hospital, or after they get home. This way both parents and the child can be in more of the pictures all together, and the parents have one less thing to try and figure out

How Many Mega Pixels Do I Need?

One of the confusing things in choosing a digital camera is deciding how many mega-pixels you should look for. The answer depends on what you plan on doing with the finished pictures.



First, you need to understand what a pixel is. In terms of digital prints, a pixel simply means a dot of color that makes up the image. A mega-pixel is equal to one million pixels. The more mega-pixels a camera has, the greater the amount of information it records.

The easiest way to decide what to look for is to know what size prints you are likely to print from your camera. A one mega-pixel camera is fine for those who don’t plan on printing photos but rather just post them on the internet. A small print, say 4 x 6, will print acceptably from this camera.

A 2 mega-pixel camera will enable you to produce good quality 5 x 7 prints and fair quality 8 x 10 prints. When you reach 4 mega-pixels you can print out excellent quality 8 x 10 prints and acceptable 11 x 17 prints and a 5 mega pixel camera will allow you to print out high quality 11 x 17 prints.

Most families find a camera in the 3.2 Mega-pixel range to be the best choice. The quality of both 5 x & and 8 X 10 prints is very good yet the files on your computer are not so large you need worry about not having enough space.

Any camera over 5 mega-pixels is unnecessary for all but professionals in photography; even then, only those who have need for poster-size prints find that many mega-pixels worth the money. Most freelance photographers find 4 or 5 mega-pixels to be sufficient for excellent-quality prints.

The choice is yours. Look to what you plan on doing with your photos and then decide. In most cases spending the money for increased optical zoom and lower mega-pixels is the best choice.

Digital Zoom Versus Optical Zoom

Many digital cameras offer both digital and optical zoom. These two often confuse the average camera buyer, until you know what you’re looking at.


Optical zoom works much like the zoom lens on a 35 mm film camera. It changes the length of your camera’s lens and draws the subject closer to you. The optical zoom keeps the quality of the picture. Digital zoom works differently. It simply takes the picture and crops it then enlarges the part that is left. It causes the quality of the photo to be reduced, sometimes greatly.

What this means in terms of output is you may have a larger view of an object with the digital zoom, but chances are your image will become unfocused. Details will become lost. It is actually best to turn off the digital zoom feature of your camera if possible. This will prevent you automatically zooming in too close as the digital zoom is often an extension of the optical.

There are a couple of things you can do if you want a closer view of a subject but want the quality of your picture to still be good. Try moving in closer when you take the picture. Often only a foot or two will do the trick. If this isn’t possible, you can set your camera to take a picture at its highest file size. This will result in a photo that can be cropped to include only your desired subject, yet allow for an image that is still clear.

Digital zoom has its place. It can be used if the only destiny of your photo is the internet. Photos online can be a much lower quality in the camera and still appear acceptable when sent through e-mail or posted on a web gallery. If your goal is printing, however, seek a camera that has a greater optical zoom and turn off the digital zoom. Your pictures will be better in the end, even if they are not as close up.

Your Digital Camera Owner’s Manual

All cameras come with an owners manual, but so few people take the time to read it. Once they get past the basic operations, they get anxious to go out and try the camera. Maybe all the new terms are confusing or there seems like too much information to digest. This is understandable, but by not reading the entire manual, you limit yourself and many cool features of your camera are never used. Hopefully you will find the following suggestions helpful in getting the most from your digital camera.

After your first overview of the features your camera possesses, decide what you would like to explore the most. Pick only one special feature. Read the instructions on what this feature can do and how to use it. Don’t worry if it isn’t completely clear, that will come in time.

Now the fun part. Take your camera and start using this special feature. Try all the different settings within this one feature. See how your pictures change. Explore what this feature does. Don’t stop until you know this feature inside and out and don’t go onto the next feature until you have fully explored this one.

When you are satisfied you know the ins and outs of one special feature, return to the owner’s manual and pick another special feature you would like to learn. Repeat the above process with this feature, only returning to the manual when you are satisfied you have mastered the new skill.

By working through the owner’s manual in this way, you will find it isn’t so overwhelming. The hands-on practice of each skill will help you learn it thoroughly. When you have covered all the cool things your camera will do, go out and enjoy them all. You will be glad you took the time to become friends with this wonderful creation.

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